Gavin Turk - RKI

Medium: Archival Inkjet on Somerset Satin Enhanced 330gsm Paper

Edges: Deckled

Year: 2016

Edition of 50

Note: This edition forms part of the Art on a Postcard Portfolio  curated by Jealous. 

Unframed. If you wish to buy this product framed please purchase it through the Jealous Gallery Website

Size: 21cm (w) x 22cm (h)

£175

 

Artist Bio:

Gavin_Turk -no shadow.jpeg

Gavin Turk (b 1967) is a British born, international artist. He has pioneered many forms of contemporary British sculpture now taken for granted, including the painted bronze, the waxwork, the recycled art-historical icon and the use of rubbish in art.

Turk’s installations and sculptures deal with issues of authorship, authenticity and identity. Concerned with the ‘myth’ of the artist and the ‘authorship’ of a work, Turk’s engagement with this modernist, avant-garde debate stretches back to the ready-mades of Marcel Duchamp.

In 1991, the Royal College of Art refused Turk a degree on the basis that his final show, ‘Cave’, consisted of a whitewashed studio space containing only a blue heritage plaque commemorating his presence ‘Gavin Turk worked here 1989-91'. Instantly gaining notoriety through this installation, Turk was spotted by Charles Saatchi and was included in several YBA exhibitions. Turk’s work has since been collected and exhibited by many major museums and galleries throughout the world. 

Prestel published Turk’s first major monograph in 2013, showcasing more than two decades of his work and in 2014 Trolley Books published ‘This Is Not A Book About Gavin Turk’ which playfully explores themes associated with the artist’s work via thirty notable contributors.

Turk has recently been commissioned to make several public sculptures including L'Âge d'Or (2016), sited on the south corner of the Press Centre building in the Olympic Park and Nail, a 12-meter sculpture at One New Change, next to St Paul’s cathedral, London, England.